Currently exploring how choreography, or a whole work, becomes a “result” rather than a “representation” (thank you, Tere O’Connor for this reflection).

Strategies, methods, and rules give me freedom in creation as an analytical and pattern-observant person.

Inspired by legacy, my recent choreographic process has followed Cunningham’s strategies of chance in order to determine movement origin in the body.

I gravitate toward a retro and stoic aesthetic with a broad relationship to music and sound, using it indirectly as accompaniment to putting it at the forefront of the process.

My work has been described as idiosyncratic, favoring juxtaposition between movement quality, sound, and space.

As a young person starting out in the industry, I am continuing to find my voice and experiment with how I am moved and what moves me to create.